Words that makes life / Paul Éluard

Poème : Les mots qui font vivre

Il y a des mots qui font vivre
Et ce sont des mots innocents
Le mot chaleur et le mot confiance
Amour justice et le mot liberté
Le mot enfant et le mot gentillesse
Et certains noms de fleurs et
Certains noms de fruits
Le mot courage et le mot découvrir
Et le mot frère et le mot camarade
Et certains noms de pays de villages
Et certains noms de femmes et d'amis.

Paul Éluard


Poem: The words that bring life

There are words that bring life

And these are innocent words

The word warmth and the word trust

Love justice and the word freedom

The word child and the word kindness

And some names of flowers and

Some fruit names

The word courage and the word discover

And the word brother and the word comrade

And some country names of villages

And some names of women and friends.

Paul Eluard


Paul Éluard was a French poet born on December 14, 1895, in Saint-Denis, France, and he passed away on November 18, 1952, in Charenton-le-Pont, France. He was a prominent figure in the Surrealist movement and is known for his innovative poetry that explored themes of love, politics, and human experience.

Éluard's poetry often employed dreamlike imagery, striking metaphors, and lyrical language to convey complex emotions and ideas. He embraced the Surrealist principle of "automatic writing," allowing his subconscious mind to guide his creative process, resulting in evocative and deeply personal poetry.

Some of Éluard's most notable works include:

1. **"Capitale de la douleur" ("Capital of Pain")**: This collection, published in 1926, explores themes of love, loss, and existential angst. It reflects Éluard's experiences during World War I and his struggles with depression and disillusionment.

2. **"L'Amour la Poésie" ("Love, Poetry")**: This collection, published in 1929, celebrates the transformative power of love and the transcendent nature of poetry. It reflects Éluard's belief in the redemptive qualities of both love and art.

3. **"Les Yeux fertiles" ("Fertile Eyes")**: This collection, published in 1936, explores themes of beauty, desire, and the creative process. It reflects Éluard's fascination with the human gaze and its capacity to perceive and create beauty in the world.

4. **"Poésie ininterrompue" ("Uninterrupted Poetry")**: This collection, published in 1946, showcases Éluard's later work, which delves into themes of hope, resilience, and renewal in the aftermath of World War II. It reflects his commitment to the ideals of freedom, peace, and social justice.

Éluard's poetry continues to be celebrated for its emotional depth, linguistic innovation, and timeless relevance. He remains an influential figure in the world of literature, inspiring generations of poets and readers with his profound exploration of the human condition.

25 Rules of Disinformation  / by H. Michael Sweeney.


These 25 rules are everywhere in media, from political debates, to television shows, to comments on a blog.

1. Hear no evil, see no evil, speak no evil

2. Avoid discussing key issues

3. Create rumor mongers

4. Use a straw man.

5. Name calling and ridicule opponents

6. Hit and Run

7. Question motives

8. Invoke authority

9. Play Dumb

10. Associate charges with old news

11. Use a minor matter to “confess”

12. too complex to solve

13. reason backwards

14. Demand complete solutions

15. Fit the facts to alternate conclusions.

16. Vanish evidence and witnesses.

17. Change the subject

18. Antagonize Opponents

19. Ignore proof presented, demand impossible proofs.

20. False evidence.

21. Neutralize all sensitive issues without open discussion.

22. Manufacture a new truth

23. Create bigger distractions

24. Silence critics

25. Vanish

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1. Hear no evil, see no evil, speak no evil. Regardless of what you know, don’t discuss it — especially if you are a public figure, news anchor, etc. If it’s not reported, it didn’t happen, and you never have to deal with the issues.

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2. Become incredulous and indignant. Avoid discussing key issues and instead focus on side issues which can be used show the topic as being critical of some otherwise sacrosanct group or theme. This is also known as the “How dare you!” gambit.

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3. Create rumor mongers. Avoid discussing issues by describing all charges, regardless of venue or evidence, as mere rumors and wild accusations. Other derogatory terms mutually exclusive of truth may work as well. This method works especially well with a silent press, because the only way the public can learn of the facts are through such “arguable rumors”. If you can associate the material with the Internet, use this fact to certify it a “wild rumor” which can have no basis in fact.

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4. Use a straw man. Find or create a seeming element of your opponent’s argument which you can easily knock down to make yourself look good and the opponent to look bad. Either make up an issue you may safely imply exists based on your interpretation of the opponent/opponent arguments/situation, or select the weakest aspect of the weakest charges. Amplify their significance and destroy them in a way which appears to debunk all the charges, real and fabricated alike, while actually avoiding discussion of the real issues.

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5. Sidetrack opponents with name calling and ridicule. This is also known as the primary attack the messenger ploy, though other methods qualify as variants of that approach. Associate opponents with unpopular titles such as “kooks”, “right-wing”, “liberal”, “left-wing”, “terrorists”, “conspiracy buffs”, “radicals”, “militia”, “racists”, “religious fanatics”, “sexual deviates”, and so forth. This makes others shrink from support out of fear of gaining the same label, and you avoid dealing with issues.

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6. Hit and Run. In any public forum, make a brief attack of your opponent or the opponent position and then scamper off before an answer can be fielded, or simply ignore any answer. This works extremely well in Internet and letters-to-the-editor environments where a steady stream of new identities can be called upon without having to explain criticism reasoning — simply make an accusation or other attack, never discussing issues, and never answering any subsequent response, for that would dignify the opponent’s viewpoint.

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7. Question motives. Twist or amplify any fact which could so taken to imply that the opponent operates out of a hidden personal agenda or other bias. This avoids discussing issues and forces the accuser on the defensive.

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8. Invoke authority. Claim for yourself or associate yourself with authority and present your argument with enough “jargon” and “minutiae” to illustrate you are “one who knows”, and simply say it isn’t so without discussing issues or demonstrating concretely why or citing sources.

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9. Play Dumb. No matter what evidence or logical argument is offered, avoid discussing issues with denial they have any credibility, make any sense, provide any proof, contain or make a point, have logic, or support a conclusion. Mix well for maximum effect.

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10. Associate opponent charges with old news. A derivative of the straw man usually, in any large-scale matter of high visibility, someone will make charges early on which can be or were already easily dealt with. Where it can be foreseen, have your own side raise a straw man issue and have it dealt with early on as part of the initial contingency plans. Subsequent charges, regardless of validity or new ground uncovered, can usually them be associated with the original charge and dismissed as simply being a rehash without need to address current issues — so much the better where the opponent is or was involved with the original source.

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11. Establish and rely upon fall-back positions. Using a minor matter or element of the facts, take the “high road” and “confess” with candor that some innocent mistake, in hindsight, was made — but that opponents have seized on the opportunity to blow it all out of proportion and imply greater criminalities which, “just isn’t so.” Others can reinforce this on your behalf, later. Done properly, this can garner sympathy and respect for “coming clean” and “owning up” to your mistakes without addressing more serious issues.

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12. Enigmas have no solution. Drawing upon the overall umbrella of events surrounding the crime and the multitude of players and events, paint the entire affair as too complex to solve. This causes those otherwise following the matter to begin to loose interest more quickly without having to address the actual issues.

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13. Alice in Wonderland Logic. Avoid discussion of the issues by reasoning backwards with an apparent deductive logic in a way that forbears any actual material fact.

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14. Demand complete solutions. Avoid the issues by requiring opponents to solve the crime at hand completely, a ploy which works best for items qualifying for rule 10.

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15. Fit the facts to alternate conclusions. This requires creative thinking unless the crime was planned with contingency conclusions in place.

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16. Vanishing evidence and witnesses. If it does not exist, it is not fact, and you won’t have to address the issue.

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17. Change the subject. Usually in connection with one of the other ploys listed here, find a way to side-track the discussion with abrasive or controversial comments in hopes of turning attention to a new, more manageable topic. This works especially well with companions who can “argue” with you over the new topic and polarize the discussion arena in order to avoid discussing more key issues.

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18. Emotionalize, Antagonize, and Goad Opponents. If you can’t do anything else, chide and taunt your opponents and draw them into emotional responses which will tend to make them look foolish and overly motivated, and generally render their material somewhat less coherent. Not only will you avoid discussing the issues in the first instance, but even if their emotional response addresses the issue, you can further avoid the issues by then focusing on how “sensitive they are to criticism”.

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19. Ignore proof presented, demand impossible proofs. This is perhaps a variant of the “play dumb” rule. Regardless of what material may be presented by an opponent in public forums, claim the material irrelevant and demand proof that is impossible for the opponent to come by (it may exist, but not be at his disposal, or it may be something which is known to be safely destroyed or withheld, such as a murder weapon). In order to completely avoid discussing issues may require you to categorically deny and be critical of media or books as valid sources, deny that witnesses are acceptable, or even deny that statements made by government or other authorities have any meaning or relevance.

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20. False evidence. Whenever possible, introduce new facts or clues designed and manufactured to conflict with opponent presentations as useful tools to neutralize sensitive issues or impede resolution. This works best when the crime was designed with contingencies for the purpose, and the facts cannot be easily separated from the fabrications.

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21. Call a Grand Jury, Special Prosecutor, or other empowered investigative body. Subvert the (process) to your benefit and effectively neutralize all sensitive issues without open discussion. Once convened, the evidence and testimony are required to be secret when properly handled. For instance, if you own the prosecuting attorney, it can insure a Grand Jury hears no useful evidence and that the evidence is sealed an unavailable to subsequent investigators. Once a favorable verdict (usually, this technique is applied to find the guilty innocent, but it can also be used to obtain charges when seeking to frame a victim) is achieved, the matter can be considered officially closed.

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22. Manufacture a new truth. Create your own expert(s), group(s), author(s), leader(s) or influence existing ones willing to forge new ground via scientific, investigative, or social research or testimony which concludes favorably. In this way, if you must actually address issues, you can do so authoritatively.

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23. Create bigger distractions. If the above does not seem to be working to distract from sensitive issues, or to prevent unwanted media coverage of unstoppable events such as trials, create bigger news stories (or treat them as such) to distract the multitudes.

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24. Silence critics. If the above methods do not prevail, consider removing opponents from circulation by some definitive solution so that the need to address issues is removed entirely. This can be by their death, arrest and detention, blackmail or destruction of their character by release of blackmail information, or merely by proper intimidation with blackmail or other threats.

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25. Vanish. If you are a key holder of secrets or otherwise overly illuminated and you think the heat is getting too hot, to avoid the issues, vacate the kitchen.

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Human Rights Download

I felt a strong urge to visit the UN site and reminisce about our old beloved Human rights. I admit that growing up with human rights was nice. I admit I took human rights for granted. I admit I felt so safe I actually thought my kids will raise their kids in a world with even more human rights just because time will pass. So I did nothing and klaus did plenty, and here we are.

Before we say goodbye to The Universal Declaration of Human Rights, I wanted to offer this free PDF with the 30 basic rights accompanied by my works. Good luck to us all .

Healing

Recently I noticed that I hide my pain. in spite the fact that I spend most of my waking hours trying to deal with it, I am actually ashamed of it, pretending its not there, and only refers to it when it becomes unbearable. 

My joint pain is a rigid teacher. i cant afford to stress at any level since it translate to pain immediately. I cant watch sopranos, I can’t create projects as I used to, I cannot be in a disagreement, and I cannot drink coffee ( one of my favorite thing in life ). 

I had to turn my life around completely. Every stress cause had to be let go. I did allot of letting go.

but with the recent let go of my house and the move to the city, the pain reached new levels that i simply couldn’t take. 

I tried everything from cbd to pharmaceutical but nothing could help me now.

except, I noticed some relief when i was around flowers 

their smell, their colours, their presence. 

I decided to follow up on that. 

I started drawing and painting flowers. 

At art school my teacher said I draw plants like portraits, as a compliment, but since it has been almost 30 years. Am I any good? I didn’t care. I was in pain and this was helping me. I just wanted relief…

To my surprise the reactions around me were good. 

I was afraid I will get criticised for drastically changing but I guess after trump presidency and covid, me drawing flowers suddenly is not that big of a deal. 

At one point I started thinking 

If it helps me to draw flowers, maybe my drawing can transfer the effect and help others with their pain?

Clarity. I liked this idea.

I wanted to keep it simple, to avoid stress. So in my mind im a florist, and I simply have a flower shop. 

This is not the art world, its not going to be in a gallery , a museum or an art fair. Im not even showing it to art professionals. its just me you and flowers. 

Letting go of pain and gaining in some peace 

Lily 4 .jpg

I found these two older publications of mine

one from 2009 the other from 2011

check them out here

https://issuu.com/yifatgat




Counterpoint  / A dialogue between art and architecture

 
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In music, counterpoint is the relationship between few musical lines which are harmonically interdependent yet independent.

The term originates from the Latin punctus contra punctum meaning "note against note".

Above is an Extract from the The Well-Tempered Clavier by Bach, my favorite piece of all time. I am not especially good at piano playing but I play enough to be able to ‘steal’ concepts from Bach.

In situ work to me is counterpoint work.

The reality of a place is a musical line that exists already

My work is to add a second line, harmonically interdependent yet independent.

When I come to work in a space I take the time to study it, be there, imagine the different scenarios possible and find the main motives I want to echo. 

This way of work offers another perspective on daily life. A variation that can be traced back to the building. Like a playful elegant riddle. This came from this, where did this come from?

The idea is to create an ‘organic surprise’. On one hand the presentation is authentic and coherent with the site. On the other hand it’s a complete surprise. It reads familiar and new at the same time. Harmonically. interdependent yet independent. 

I look to seduce the wondering eye of the spectator into an investigation of the work and its environment. Elegantly, playfully. Looking at the work, the spectator learns something about the building itself, its creator. It's a ping pong of perspectives. A dialogue between art and architecture. 


The infinity swirl - Update

The swirl motive started as a window performance in 2011. I apply Marble dust to a large window or mirror and draw with my finger into it. Since, I Performed the swirl in various occasions including brooklyn, Marseille and London.

Now it is taking all my attention and becoming A series of its own. Here are some pics from this week:

Marble dust on window Manifesta , The infinite village, Espace Jouenne, Marseille

curated by Francisca Viudes, Tilman and cora von zezschwitz.

Picture by @JuilaGatPhotography

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Prints Made after the swirl drawings

here in my print shop in five different colours and four different sizes

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New swirl on paper. coming up soon

Thank you for watching

and please take care

Love,

Yifat